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SDG
Er is een kindeke geboren op aard'. Oud Hollands kerstlied. Orgel, sampleset Giubiasco, by Piotr Grabowski. Arrangement: Gertim (SDG).
SDG
4:30 Est. Play
Time
94 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 3 6 100%
Contrabass Bass 20 0 1 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 3 6 100%
Contrabass Bass 20 0 1 5 100%
Flute Treble 19 0 4 5 100%
S
A		 Treble 19 0 4 5 100%
T
B		 Bass 25 0 4 6 100%
 
In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.
SDG
3:35 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
Organ Treble 16 31 1 5 63%
Pedal Bass 12 0 0 6 54%
Bassoon Bass 12 1 0 5 44%
Soprano Treble 10 0 1 6 22%
Tenor Treble 10 0 1 6 22%
 
Heer kom terug. Composed by Gertim (SDG)
SDG
0:45 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 100%
Tenor/Bass Bass 17 0 1 5 100%
Contrabass Bass 13 0 0 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 5 100%
Tenor/Bass Bass 17 0 1 5 100%
Contrabass Bass 13 0 0 5 50%
 
In the bleak midwinter, Darke, Christmas
SDG
1:51 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 14 1 1 6 100%
T/B Bass 17 1 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 14 1 1 6 100%
T/B Bass 17 1 1 6 100%
 
153. Rechtvaardigheid drong aan op straf.
SDG
0:57 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 3 100%
Bass 16 0 1 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 3 100%
Bass 16 0 1 3 100%
 
In the bleak midwinter, Harold Darke
SDG
1:51 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 14 0 1 6 100%
T/B Bass 17 0 1 6 100%
Contrabass Bass 12 0 0 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 14 0 1 6 100%
T/B Bass 17 0 1 6 100%
Contrabass Bass 12 0 0 6 50%
 
Lamb of God, Twila Paris. Arrangment: Gertim (SDG)
SDG
4:34 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 16 1 1 5 100%
Contrabass Bass 12 1 1 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 16 1 1 5 100%
Contrabass Bass 12 1 1 4 50%
 
16. Ermuntre dich, mein schwacher Geist. BWV 454.
SDG
1:28 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 15 0 1 4 100%
Soprano/Alto Treble 16 0 3 4 100%
Tenor/Bass Bass 16 0 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 15 0 1 4 100%
Soprano/Alto Treble 16 0 3 4 100%
Tenor/Bass Bass 16 0 1 6 100%
 
92. Es spricht der Unweisen Mund wohl. Martin Luther, Johann Walter, J.S. Bach, BWV 308.
SDG
0:46 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 3 100%
Tenor/Bass Bass 17 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 3 100%
Tenor/Bass Bass 17 0 1 4 100%
 
218. Komm, Gott Schöpfer, heiliger Geist. BWV 370
SDG
0:24 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 16 0 1 4 100%
Contrabass Bass 10 0 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 16 0 1 4 100%
Contrabass Bass 10 0 0 3 50%
 
118. Gottlob, es geht nunmehr zu Ende. BWV 321.
SDG
0:58 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 1 5 100%
Tenor/Bass Bass 17 0 1 6 100%
Contrabass Bass 11 0 1 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 1 5 100%
Tenor/Bass Bass 17 0 1 6 100%
Contrabass Bass 11 0 1 3 50%
 
58. Das walt' Gott Vater und Gott Sohn. BWV 290. J.S. Bach.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 17 0 1 5 100%
Contrabass Bass 10 0 1 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 17 0 1 5 100%
Contrabass Bass 10 0 1 3 50%
 
368. Wer nun den lieben Gott lässt walten. BWV 88/7.
SDG
0:49 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 16 0 1 4 100%
Contrabass Bass 13 0 1 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 16 0 1 4 100%
Contrabass Bass 13 0 1 4 50%
 
129. Herr Gott, dich loben alle wir. BWV 326.
SDG
0:41 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 1 3 100%
Tenor/Bass Bass 16 0 1 3 100%
Contrabass Bass 14 0 1 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 1 3 100%
Tenor/Bass Bass 16 0 1 3 100%
Contrabass Bass 14 0 1 3 50%
 
230. Lobe den Herren, den mächtigen König der Ehren. BWV 137/5, BWV 120a.
SDG
0:50 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 9 0 2 5 50%
Treble 8 0 0 7 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 9 0 2 5 50%
Treble 8 0 0 7 100%
C
Trumpet		 Treble 12 0 2 6 100%
Soprano Treble 8 0 0 7 100%
Soprano/Alto Treble 14 0 2 7 100%
Tenor/Bass Bass 16 0 1 5 100%
Viola 9 0 1 4 100%
Timpani Bass 2 0 0 6 89%
Contrabass Bass 12 0 0 5 51%
Violoncello Bass 12 0 0 5 51%
 
100. Freu' dich sehr, o meine Seele. BWV 194/6.
SDG
0:52 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 16 0 1 5 100%
Contrabass Bass 11 0 1 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 16 0 1 5 100%
Contrabass Bass 11 0 1 3 50%
 
Lamb of God. Twila Paris. SATB. Own arrangement.
SDG
4:26 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 4 100%
Tenor/Bass Bass 17 1 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 4 100%
Tenor/Bass Bass 17 1 1 5 100%